3 d printing room
位置:瑞士
分类:公共设施
内容:实景照片
图片:15张
建筑设计:michael hansmeyer和benjamin dillenburger
图片来源:hansmeyer / dillenburger
这是由michael hansmeyer和benjamin dillenburger设计的雕像,完全按照真人大小设计,是由3D打印机打印出来的砂岩。这是一个类似于意识空间的雕像,由两部分组成,一个是底部的“洞穴”,一个雕刻的真人,整个人体结构表现为立体的部分。虽然整体看起来简单,但是内部隐藏着数以百万计的设计因子和复杂的几何形状。这个“洞穴”内的所有设计都不是自由散漫的而是精确计算的。
每个用3D打印机制作出来的对象都是基于计算机的数据输入,一个不起眼的微小物体要经过2.6亿次计算,而其中的装配过程也是经过精心计算的。砂岩印刷技术已经成为了一种制造艺术,克服了3D打印技术的局限性,3D打印技术通常仅局限于小规模的模型。这个演变过程是经过了大规模的精度和准的计算才最终形成。
译者: 毛毛
a fully immersive, human-scale architectural object, created by michael hansmeyer and benjamin dillenburger emerges as the first life-sized construction to be entirely 3D printed out of sandstone. 'digital grotesque' is now a realized space, consisting of two individual halves that form an aggregate volume -- the grotto. from the outside, the structure presents itself as a cubical mass, but its interior hides an intricate geometry of millions of design facets. the room's impossible ornamentation and free-form geometries represent a paradigm shift within the field of digital fabrication.
every aspect of the object is materialized by custom designed algorithms. using computer based data input, a geometric mesh of 260 million specified micro-details emerges as an architectural unit. the medium, and the process of its assembly, is a carefully chosen component of the project. sand-printing technology has recently emerged as manufacturing technique that overcomes the limitations of 3D printing, which typically is confined to prototyping and small-scale models. the process allows the creation of large-scale elements with high resolution and accuracy, which are fully self-supporting and can be assembled as a solid construction.
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3D印刷室-15
北京 | 建筑设计
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