1940年,葡萄牙为纪念其恢复独立300周年和成立800周年专门而举办了一个展示葡萄牙历史的一个展览。该展览在贝伦区举行,并专门创建的帝国广场(PracadoImperio),旨在展示了葡萄牙人在过去取得的引人瞩目的成就。
In 1940, Portugal commemorated the tercentenary of the restoration of its Independence and the 800th anniversary of its birth with a programme of events culminating in the Exhibition of the Portuguese World. Staged in Belem and centred on the specially created Praca do Imperio (Empire Square), the exhibition aimed to promote the most notable events and achievements of the nation’s past.
该广场上已现有许多标志性建筑,包括杰罗尼莫斯修道院,阿方索·德·阿尔布克尔克广场(Afonso de Albuquerque Square),贝伦塔(the Tower of Belém)和塔霍河(River Tagus)。
The square was in a place already bordered by landmarks alluding to the Era of Discoveries, including the Monastery of Jerónimos, Afonso de Albuquerque Square, the Tower of Belem and the river Tagus.
该建筑是作为本次活动的餐厅/啤酒馆,由Antonio Lino设计,并在展览的首席建筑师Cottinelli Telmo的带领下实施建造。它的现代主义风格受到后来的改建,从内到外的缩减了其原始规模。
The Espelho de Agua was built to serve as the restaurant/beer hall for the event, with design by Antonio Lino, executed under the guidance of Cottinelli Telmo, lead architect for the exhibition. Its modernist style was subject to later alterations that detracted from its original dimensions both inside and out.
建筑两侧是大型水景,延伸到河流中,产生漂浮感。整体结构遵循严格的指标,通往入口并建有大型雕塑。
The building is flanked by a large water feature that reaches out to the river to create a sensation of floating. The overall structure follows a rigorous metric that shares its proportions with large sculptures that lead to the entrance.
现在的目的是将建筑修复到原本在1940年展览会闭幕时的模样,在场地进行重大改变之前。去除了视觉污染的痕迹,拆除了南侧的非原始结构并恢复了整体框架。在空间中央的巨大天窗暗指这曾经隔开原主体结构的露天平台。
The intervention now undertaken seeks to restore the building to its original characteristics at the time of the closing of the exhibition in 1940, before the site underwent major changes. Visually polluting features have been removed, a non-original structure to the south has been demolished and the overall framework restored.The opening up of a large skylight in the centre of the space alludes to the open-air patio that once separated the original main structures.
首层设有的自助食堂和餐厅与露台相连,通向被发掘的艺术家索尔·勒维特(Sol Lewitt)的壁画,于1990年并已将其全面修复。中央厨房的两侧是覆盖了垂直花园的墙体。
The installation of a cafeteria and restaurant on the ground floor, linked to the terrace, led to the discovery of a mural by the artist Sol Lewitt, dated 1990, which was fully restored. The centrally located kitchen is flanked by walls covered by vertical gardens.
在北侧,有一个安静的休闲区,朝向贝伦文化中心(BelémCultural Center)和杰罗尼莫斯修道院(Jeronimos)修道院,以及一家带夹层的商店。从这里还可以看到通往首层办公区的楼梯。向西侧的主入口区,有一个开放空间,可作为艺术画廊和音乐表演场所。
To the north, there is a quieter leisure area with views towards the Belém Cultural Centre and the Monastery of Jerónimos, as well as a shop and mezzanine. From here can also be seen the stairs leading up to the first-floor office area. To the west, in the main entrance zone, an open space serves as an art gallery and music venue.
建筑的内部展示出了建筑的结构,并给内部空间的布局带来一定的参考作用。混凝土地面和表面装饰最为简单。照明采用了线性结构设计,极大地突出了室内空间的效果。而南北立面上的圆形灯是强调了与原有的1940项目之间的连接。
The interior reveals the structure of the building, giving an idea of the different areas that compose it. Finishings are minimal, with concrete flooring and white surfaces. Lines of lighting work to emphasise the interior drama of the space, while circular lamps on the north and the south facades are a final touch to emphasise links with the original 1940 project.
场地平面图
底层平面图
剖面图
建筑师:DC.AD + Victor Vicente
地点:葡萄牙 里斯本
中国 | 园林景观
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